LOT DETAILS
Materials:
oil on canvas
Size Notes:
36 x 50 in. (91.4 x 127 cm.)
Description:
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Exhibited:
New York, American Art-Union Exhibition, 1848. Cody, Wyoming, Buffalo Bill Center of the West, Whitney Western Art Museum, The Winchester Bicentennial, April 15-October 15, 1976. Cody, Wyoming, Buffalo Bill Center of the West, Whitney Western Art Museum, The Feathered Cape, April 1997.
Literature:
District School Journal of the State of New York, Syracuse, New York, December 1, 1848, p. 144. M.E. Thistlethwaite, The Image of George Washington: Studies in Mid-Nineteenth-Century American History Painting, New York, 1979, pp. 17, 232, no. 29, illustrated. New York Historical Society, Collections of the New York Historical Society: The John Watts De Peyster Publication Fund Series, New York, 1953, p. 337. S. Boehme, E.J. Hansen, “The Feathered Cape and Painted Proof: Stearns Painting Resolves Mystery on Origin of Unusual Feathered Capes,? Points West, Cody, Wyoming, 1997, illustrated. J.L. Glickman, Painted in Blood: Remember Wyoming, America’s First Civil War, Cody, Wyoming, 1997, illustrated. N. Lurie, D. Anderson, “A Lost Art Form,? Museum Anthropology Journal, vol. xxii, no. 2, Arlington, Virginia, 1998, cover illustration. P.R. Anawalt, The Worldwide History of Dress: The Origins of Fashion from the Paleolithic to the Present, New York, 2007, p. 370, illustrated. H. Adams, What's American About American Art? A Gallery Tour in the Cleveland Museum of Art, Cleveland, Ohio, 2008, p. 21 (as Washington and the Indian Council).
Provenance:
The artist. American Art-Union, New York, commissioned from the above. Rockwood Barrett, Rutland, Vermont, acquired from the above, 1848. J.N. Bartfield Gallery, New York. W.E. Weiss, 1975. Mr. & Mrs. William D. Weiss, Jackson, Wyoming, by descent. Coeur d'Alene, Reno, Nevada, 26 July 2003, lot 120. Acquired by the late owner from the above.